Stand Up and Coming, The Hideaway Tuffnell Park
10.07.2009
It's a typically English summer's Friday in early July, slightly muggy and half arsedly raining, and over a year since I've done my first Stand Up 'gig' when the email pops up. I click on it, knowing fine well what it's about but just to see it in black and white.
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Hi everyone,
This is a reminder that you are booked to perform at Stand Up and Coming on:
For some of you this booking was taken quite some time ago, so if you can no longer make it please let us know asap so that we can fill your place and get you a new date to suit.
This month's line-up
Daniel Simonsen
This month's line-up
Daniel Simonsen
Shaun Carse
Gwilum Argos
Gavin Inskip
Hatty Ashdown
Albion Gray
Dave Bailey
Naz Osmanoglu
Anthea Neagle
Sunna Jarman
Bob Slayer
Matthew Janes
Headliner: Mike O'Leary
Compere: David Gibson
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My name is up there, in there, amongst them. To the untrained eye it's lost amongst lots of other names you've never heard of but I can see it. The last name on the list, under the title 'Line Up'. And just above two other equally frightening words, 'Headliner' amnd 'Compere'.
This is really happening unless I excercise the right to lame out of it.
The email's chatty opening gambit 'Hi everyone' literally could not be any further away from the icy feeling of fear gripping my heart, neck and nether regions. It's a mixture of emotions though, somewhere within the abject horror of what I have agreed to do is the warm glow of personal pride that I actually am doing it.
But that warm glow can only really be basked in once I have done it, so for now the icy fear wins out.
The reason I used inverted commas to describe my last 'gig' is not because I enjoy winding people up by using inverted commas willy nilly - this is something that really winds me up as I'm never sure what the other person actually means, but rather that my last 'gig' - see there I go again, was really more of a 'showcase' - that's the last time I do it, I promise - with twelve or so people who'd attended a six week comedy course doing their five minutes of stand up to a crowd made up exclusively of friends and family of the acts.
Since doing the course I've met quite a few people who went on to pursue a Stand Up career one way or another all of whom affectionately reminisce of that night as the "warmest crowd you'll ever get". "One of the best gigs you'll ever do". And so on and so forth.
Maybe subconsciusly that's why post showcase, where many of the course's alumni trotted off and hit the Open Spot circuit, circuit just being one of the many comedy world I'll be dropping in witout any sense of self-deprecation no matter how strange it feels to write then, I never did another gig.
I mean, why would you?
If you've just done "One of the best gigs you'll ever do" why sully it with any lesser performances, or let's face it, reactions, as it's reactions are what performances are gauged by.
But now compelled by a strange sort of 'why not' feeling I've decided to give it another, or more accurately a whirl.
And so I desperately try and learn my set.
Again, another comedy world word dropped in for your delight.
Really all a set is is some material you try and learn to the best of your abilities so that when you're up there fumbling with a microphone and staring at some vague audience outlines throuhg a light that's burning right through your retinas, you'll have something to say so you don't feel like a complete spoon.
What no one tells you and there' absolutely no substitute for experiencing first hand is that how much of a spoon you feel up there looking out a sea of expectant faces, they want to laugh, you want to make them laugh, at that precise moment more than anything on god's earth, but you can't.
Comedy impotence. It's no laughing matter.
So I try and learn my set, I record various bits and bobs on a dictaphone, play them back, try and imagine that I'm not mental talking out loud to myself in my flat, wonder if my neighbour who's a photographer that seems to spend quite a lot of time in his flat can hear me.
Try and time it all it out.
Try and imagine the laughter.
Imagining the laughter was also something I had to do at the gig itself , but more on that later.
So, I'm good to go. I've dug out my floral Liberty's "He looks like he could be funny, but he isn't" shirts. I selected and then de-selected a grey velvet jacket which looked a little too gameshow, a little too 'Faking It' but if truth be told I de-selected it mainoly because I was travelling to the gig on a motorbike and so a leather jacket over a velvet jacklet wasn't going to work for me.
So, off I shot on my Kawasaki 650 out of Harlesden, right at IKEA, onto the North Circular and off to North London.
Nothing funny happened on the journey. There was light drizzle I like to remember. I was going top havde to rely on my set.
So I get there, to the fabled The Hideaway pub which I'd never heard of and went in. I'm there at 8.20, which meant I was pretty much the last comedian to turn up and ensuired I got my rightful place of last on the bill, which ensures you can't really enjoy any of the acts or the night as all you're doing is pooping yourself about going on.
As someone who's tardiness is not his best point I realise, one gig in and not even done yet that that's a part of the bill I might be seeing quite a lot of on the open circuit unless I can sort my timekeeping out.
So, it's a nice boozer The Hideaway, a nice North London boozer. Upstairs people are milling around doign their thing. They've got nice imported beers like Sierra Nevada and Cooper's behind the bar and they're deliciously cold, and, and, and how I wish I was spending the nigth supping them with some mates, talking bollocks and relaxing after a week of so-called work.
Instead, I'm waiting to stand behind a microphone in front of a group of strangers trying to trigger their laughter glands. Which as you'll no doubt suspect fromt he quality of thsat last sentence means I've got my work cut out. can tell from that last senr
introduce myself to the promoter(s) - who are very warm and friendly people, promoters. More on promoters as we go on. So nervous am I that I actually re-introduce myself to one fo them, he was kinf enough to tell him I'd just come and said hello
Compere: David Gibson
----
My name is up there, in there, amongst them. To the untrained eye it's lost amongst lots of other names you've never heard of but I can see it. The last name on the list, under the title 'Line Up'. And just above two other equally frightening words, 'Headliner' amnd 'Compere'.
This is really happening unless I excercise the right to lame out of it.
The email's chatty opening gambit 'Hi everyone' literally could not be any further away from the icy feeling of fear gripping my heart, neck and nether regions. It's a mixture of emotions though, somewhere within the abject horror of what I have agreed to do is the warm glow of personal pride that I actually am doing it.
But that warm glow can only really be basked in once I have done it, so for now the icy fear wins out.
The reason I used inverted commas to describe my last 'gig' is not because I enjoy winding people up by using inverted commas willy nilly - this is something that really winds me up as I'm never sure what the other person actually means, but rather that my last 'gig' - see there I go again, was really more of a 'showcase' - that's the last time I do it, I promise - with twelve or so people who'd attended a six week comedy course doing their five minutes of stand up to a crowd made up exclusively of friends and family of the acts.
Since doing the course I've met quite a few people who went on to pursue a Stand Up career one way or another all of whom affectionately reminisce of that night as the "warmest crowd you'll ever get". "One of the best gigs you'll ever do". And so on and so forth.
Maybe subconsciusly that's why post showcase, where many of the course's alumni trotted off and hit the Open Spot circuit, circuit just being one of the many comedy world I'll be dropping in witout any sense of self-deprecation no matter how strange it feels to write then, I never did another gig.
I mean, why would you?
If you've just done "One of the best gigs you'll ever do" why sully it with any lesser performances, or let's face it, reactions, as it's reactions are what performances are gauged by.
But now compelled by a strange sort of 'why not' feeling I've decided to give it another, or more accurately a whirl.
And so I desperately try and learn my set.
Again, another comedy world word dropped in for your delight.
Really all a set is is some material you try and learn to the best of your abilities so that when you're up there fumbling with a microphone and staring at some vague audience outlines throuhg a light that's burning right through your retinas, you'll have something to say so you don't feel like a complete spoon.
What no one tells you and there' absolutely no substitute for experiencing first hand is that how much of a spoon you feel up there looking out a sea of expectant faces, they want to laugh, you want to make them laugh, at that precise moment more than anything on god's earth, but you can't.
Comedy impotence. It's no laughing matter.
So I try and learn my set, I record various bits and bobs on a dictaphone, play them back, try and imagine that I'm not mental talking out loud to myself in my flat, wonder if my neighbour who's a photographer that seems to spend quite a lot of time in his flat can hear me.
Try and time it all it out.
Try and imagine the laughter.
Imagining the laughter was also something I had to do at the gig itself , but more on that later.
So, I'm good to go. I've dug out my floral Liberty's "He looks like he could be funny, but he isn't" shirts. I selected and then de-selected a grey velvet jacket which looked a little too gameshow, a little too 'Faking It' but if truth be told I de-selected it mainoly because I was travelling to the gig on a motorbike and so a leather jacket over a velvet jacklet wasn't going to work for me.
So, off I shot on my Kawasaki 650 out of Harlesden, right at IKEA, onto the North Circular and off to North London.
Nothing funny happened on the journey. There was light drizzle I like to remember. I was going top havde to rely on my set.
So I get there, to the fabled The Hideaway pub which I'd never heard of and went in. I'm there at 8.20, which meant I was pretty much the last comedian to turn up and ensuired I got my rightful place of last on the bill, which ensures you can't really enjoy any of the acts or the night as all you're doing is pooping yourself about going on.
As someone who's tardiness is not his best point I realise, one gig in and not even done yet that that's a part of the bill I might be seeing quite a lot of on the open circuit unless I can sort my timekeeping out.
So, it's a nice boozer The Hideaway, a nice North London boozer. Upstairs people are milling around doign their thing. They've got nice imported beers like Sierra Nevada and Cooper's behind the bar and they're deliciously cold, and, and, and how I wish I was spending the nigth supping them with some mates, talking bollocks and relaxing after a week of so-called work.
Instead, I'm waiting to stand behind a microphone in front of a group of strangers trying to trigger their laughter glands. Which as you'll no doubt suspect fromt he quality of thsat last sentence means I've got my work cut out. can tell from that last senr
introduce myself to the promoter(s) - who are very warm and friendly people, promoters. More on promoters as we go on. So nervous am I that I actually re-introduce myself to one fo them, he was kinf enough to tell him I'd just come and said hello